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Viewing 15 posts - 241 through 255 (of 373 total)
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  • Dimitar
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    Thanks for your response, AHH. My interest in Japanese culture springs from what I think of as a deeper memory pool of time and events in the past that I have no logical explanation for, but which to me is tangible and most importantly, a source of inspiration. This is the case for me with a few other instances of time and place involving countries and perhaps eras, (Russia is another), in fact, probably most of us experience this as either a general attraction or repulsion to various time periods in history and countries. Be that as it may, having chosen the artist’s path in this life, (and, with the loss and dissolution of my own country and henceforth, conscious decision to employ a large dose of detachment re: events on the ground in MK, today), my interest lies in ready made situations / contexts, that the individual finds himself in, and which serve the purpose of drawing actions/reactions /responses out of us and so compelling reserves of unknown potential within, be it heroism, or even pushing one into downward spirals etc. if that be the case. This interest in the individual and extreme situations shall we say, stems from my observation that as long as we are comfortable in life we tend to want to become even more comfortable and so life eventually finds a way to shake us out of the torpor we end up in. Our natural love of adventure, excitement/discovery of the unknown chafes seemingly with our human desire for comfort, familiarity etc.

    So an experience like the current production of Shogun for me exists outside of time and space in a manner of speaking and intrigues on the level of the individual and how he responds to the ready-made situations he finds himself in. It’s a fact that the individual Soul finds a curtain drawn between each lifetime but the subconscious mind retains the memory of an experience, a time and a place, or more specifically, the emotions that surround the memories that we harbour just beneath the conscious mind. This, as an artist/poet whose interest lies in archetypes is what piques my interest apart from a good storyline of course, not to mention the spectacle of some of the wonderful productions nowadays. Best, D.

    Dimitar
    Participant

    Thank so much, Sudhi. It’s an unassuming poem yet its message bears repeating. We have the choice of being either our own best friend or worst enemy, yet it’s surprising how often we choose the latter, if only because the Being or Force whose task it is to keep Soul moribund and ineffectual is so effective in Its rule of this world. By and large, Soul is left to Its own devices and must make the commitment to walk the spiritual path of Its own volition, yet when It does Its fortunes take a turn for the better. A line from Episode 3 of the excellent series, “Shogun”, [https://movies7.to/tv/shogun2-jw2l2/1-3], uttered by the protagonist Toranaga to his impatient son comes to mind; “When will you understand? You are playing a game of friends and enemies, when you have only yourself in this life”. Toranaga’s advice to his son explains the importance of self-reliance, but there is another very important part of the equation that the father leaves unspoken being that when Soul applies Its creativity to the problems of life, the Great Spirit steps in to take up the slack, and so enables miracles to occur. So how do we tap the great mystery of life known as the subtle yet very real line of communication between Divine Spirit and Soul? The first thing to understand is that Soul is an individuation of Divine Spirit, ie; Soul is made of the very same substance as Divine Spirit and hence It inherently has the power to know, be and see. Further, Its destiny is to become a co-worker with the Spiritual Hierarchy and this is done simply by doing all in the name of Divine Spirit, in the name of Divine Love, in doing whatever we can on a daily basis to consciously further the Divine Cause. This all begins with self forgiveness which enables Soul to step out from beneath the burden of guilt which the Negative Force imposes upon It (which is nothing more than Soul’s karmic burden). To this end, I’d like to share a story that came my way;

    A horseman was riding along a road and far up ahead, he sees something lying smack in the middle of the road so he approaches and sees it’s a little sparrow and it’s lying on its back. He says, “Are you hurt?” The little sparrow says, “No”. The rider asks, “Well, then why are you lying on your back like that for?” The little bird says, “Well, I heard the sky’s going to fall today.” The horseman laughs, and says, “Why that’s foolish. Do you think you could hold up the whole sky with your spindly little legs?” And the little bird says, “One does what one can.” And that’s how it is with all of us. We’re drawing on this creative element within us and doing what we can, the best we can, one day at a time.

     

     

    Dimitar
    Participant

    This life is precious. Every experience takes us further along the path toward understanding of our place in life and of our own unique destiny and path. Truth becomes ever more sublime as we submit to the healing power of divine love, as we “let go and let God”.

    Silent Gifts

    silent gifts
    passing unnoticed,
    while we’re scratching
    our heads, wondering;
    “what the hell just happened?”

    silent gifts,
    too many to count,
    when we’re cursing
    our fate, thinking;
    “what have I done to deserve this!”

    silent gifts,
    when we’re hankering
    after something that
    doesn’t belong to us,
    and is better left untouched

    silent gifts,
    when we’re being
    petty, and ignorant and vain,
    and looking for the blame
    at some other address

    silent gifts,
    when the final pigeon
    has just come home to roost
    and we finally realise
    what an ass we’ve been

    silent gifts,
    when we’ve forgiven
    everyone else involved,
    and we finally
    forgive ourselves…

    in reply to: Amarynth and future of GlobalSouth.co #26427
    Dimitar
    Participant

    That’s the one I have as well.

     

    in reply to: Amarynth and future of GlobalSouth.co #26423
    Dimitar
    Participant

    AHH, do you have an email contact for amarynth?

    I have a personal email of hers.

     

    Dimitar
    Participant

    One form of inspiration I have often referred to is to take a line from Shakespeare, to contemplate on it and then write a poem around it. The first such poem I will post here proceeds from Henry VI Part 3; “My crown is in my heart, not on my head; not deck’d with diamonds and Indian stones; Not to be seen. My crown is call’d content; A crown it is that seldom kings enjoy.” The title comes from an Irish jig.

    Apples in Winter

    I’ll bring you apples in winter, kisses in spring,
    Bouquets of lavender and wreaths for your hair.
    I’ll bring you songs that celebrate midsummer’s fling,
    And content will be the crown I wear.

    I’ll bring you apples in winter as crisp as snow,
    With two strong arms and legs to bear.
    I’ll bring you laughter and joy and friendship to grow,
    And content will be the crown I wear.

    I’ll bring you apples in winter, both tart and sweet;
    Red, gold and green, should you ever despair.
    I’ll bring you fire at midnight to make you complete,
    And content will be the crown I wear.

    I’ll bring you apples in winter and kisses in spring,
    The fruits of high summer and autumn so spare.
    I’ll bring you bouquets and banquets, the envy of kings,
    And content will be the crown I wear.

     

    Dimitar
    Participant

    down below the moon so bright,
    the hunt begins without ado

    the silver owl so keen of sight
    spies the mouse among the dew

    wings steer left and then steer right
    and glide through shadows black and blue

    tiny legs try as they might
    cannot flee its field of view

    darting this way darting that,
    instinct drives the will to live

    across the length of its habitat
    the creature’s heart will soon misgive

    ancient talons that need begat
    can ne’er the simple mouse forgive

    so ends another brief combat
    for one must die that the other live…

    Dimitar
    Participant

    whoosh of owl’s wings
    as a mouse scurries away;
    petals scattering

     

    Dimitar
    Participant

    Just a note re: Toše’s Wikipedia entry. Wikipedia is so absolutely notoriously anti-Macedonian and wherever possible, always misprepresents, downplays or outright lies re: pretty much anything to do with Macedonia. In this case, it states that Toše is
    from an Aromanian family” (Aromanian = Vlah). In fact, Toše is from a mixed Aromanian and Macedonian family (father is Macedonian, ie; Proeski is MK name) and identified as Macedonian. Footnote. No one who knew Toše can ever forget him. He truly was a divine being/presence with an incomparable voice. The story that sticks with me came via his mother after his passing, she revealed that an angel had appeared to her in a dream prior to her son’s birth and had made her partake of an extremely bitter soup. She had to eat it all, and later understood that it meant her son would pass from this life at such an early age.

    Toše Proeski; “Zajdi Zajdi” ( this is the song every singer from the Balkans must attempt and reveals one’s true vocal mettle.

    Dimitar
    Participant

    Thank you for your kindness, AHH, (you too, archeon). Yep, ancient Macedonian ruins of Heraclia Lyncestis, statue of Filip Vtori in Town Square + River Dragar in Bitola.

    The Immortal Toše Proeski ; https://en.wikipedia.org/wiki/To%C5%A1e_Proeski#Songwriting

    “Ako Odam Vo Bitola” (If I Go to Bitola) (w. images of Bitola)

    Ако одам во Битола
    Ако одам во Битола,
    ќе прошетам по Широк сокак.

    А на Дембел чаршија
    кафе ќе се напијам,
    младост мило ќе си спомињам.

    Еј, мори моме, како да речам,
    за Солуна, за Стамбола,
    неа не давам.

    Ако одам во Битола,
    ќе нарачам до три пајтона.

    Први мене ќе носи,
    в’ други чалгии ќе свират,
    в’ трети товар, мерак ќе носам.

    Еј, мори моме, како да речам,
    за Солуна, за Стамбола,
    неја не давам.

    За Солуна, за Стамбола,
    Битола не давам.

    If I go to Bitola
    If I go to Bitola*,
    I will walk on the wide street.

    And on the Dembel* street
    I will drink coffee,
    I will remember my lovely youth.

    Hey, oh girl, how can I tell you…
    for Thessaloniki, for Istanbul,
    I wouldn’t give her.

    If I go to Bitola,
    I will order three carriages.

    The first one will carry me,
    and the second one will play chalga*
    the third load will be my joy.

    Hey, oh girl, how can I tell you…
    for Thessaloniki, for Istanbul,
    I wouldn’t give her.

    For Thessaloniki, for Istanbul,
    I wouldn’t give Bitola.

     

    Dimitar
    Participant

    Night

    When night descends and veils the earth,
    The bat wings t’ward its twilit quest.
    The traveller procures himself a berth,
    And welcoming sleep, takes his rest.

    The moon begins its nightly climb,
    Kissing each and every star;
    As children dream their dreams in time
    And place their wishes in a jar.

    Simple folk lay down their cares.
    Kings and queens remove their crowns.
    Both alike send out their prayers,
    And naked, lay their bodies down.

    Falsehood feints on bended knee,
    And dons its mask to hide its face.
    The audience pays its entry fee
    As players join to take their place.

    When night descends and veils the earth,
    The instinctive self is energised.
    All good men reveal their worth,
    As truth steps forth undisguised.

    Dimitar
    Participant

    Night

    When night descends and veils the earth,
    The bat wings t’ward its twilit quest.
    The traveller procures himself a berth,
    And welcoming sleep, takes his rest.

    The moon begins its nightly climb,
    Kissing each and every star;
    As children dream their dreams in time
    And place their wishes in a jar.

    Simple folk lay down their cares.
    Kings and queens remove their crowns.
    Both alike send out their prayers,
    And naked, lay their bodies down.

    Falsehood feints on bended knee,
    And dons its mask to hide its face.
    The audience pays its entry fee
    As players join to take their place.

    When night descends and veils the earth,
    The instinctive self is energised.
    All good men reveal their worth,
    As truth steps forth undisguised.

    Dimitar
    Participant

    The Demon Slayer’s Lot

    all through the night,
    slaying demons mercilessly;
    the demon slayer’s lot!

    upwind of bad luck;
    when fleeing the dogs of war,
    old wolves lie low

    back at the siege camp,
    the swineherd and the maiden;
    if pigs could fly

    in life as in death,
    God’s mercy knows no limits;
    the unravelling noose

    beneath the cloak of misery,
    the sole hope of the hopeless
    shows its face…

    Dimitar
    Participant

    Please Hand the Devil His Walking Stick

    Well, he used to be bad, he used to be lit,
    The life of the party, the ultimate wit.
    I’d always fall for the same old schtick,
    Please hand the devil his walking stick.

    Bedecked as he was in diamonds and pearls,
    With his circle of the best looking boys and girls.
    Always irresistible and oh so slick;
    Please hand the devil his walking stick.

    And if you were one of the lucky few,
    You knew you’d always be skipping the queue.
    Should things get tight, he’d be there in a tick;
    Just hand the devil his walking stick.

    I was always jealous of his sure-fire technique,
    But there’s some kind of dent in the old mystique.
    When I’d try to catch up he was always too quick,
    Please hand the devil his walking stick!

    We used to run together every day of the week;
    He was always obsessed with his perfect physique.
    Now he’s ragged and thin as an old toothpick,
    Please hand the devil his walking stick.

    Came by the other day when I wasn’t home,
    Came back again when I was all alone.
    I couldn’t resist him one swift kick;
    Please hand the devil his walking stick!

    For such a long time we were best of friends,
    But all good friendships come to an end.
    Finally called his bluff and gave him the flick…
    Someone hand the devil his walking stick!

    Dimitar
    Participant

    The Place Where You Forget Your Name

    When you go to the place where you forget your name,
    You lay down your sword, you lay down your blame.
    You lay down your memory, you lay down your game,
    When you go to the place where you forget your name.

    When you go to the pace where you find your sight,
    You no longer see in terms of darkness and light.
    You no longer see in terms of wrong and right,
    When you go to the place where you find your sight.

    When you go to the place where you meet your soul,
    There are no longer parts, there’s only the whole.
    There’s no victory, no failure, there’s only the goal,
    When you go to the place where you meet your soul.

    When you go to the place where you forget your name,
    There’s no way to return to from where you came.
    Nothing has changed, yet nothing’s the same…
    When you go the place where you forget your name!

Viewing 15 posts - 241 through 255 (of 373 total)