The Cult: Covid – Bats – Vampire Movie – Connect the Dots

Peter Koenig

The world is run by an evil Cult.

Hollywood just delivered proof.

Consider this, by RFK-created Children’s Health Defense, a serious health-oriented NGO, describes how already years ago, a loose group Government-financed scientists came up with a logical idea, “Infect humans with a bat Coronavirus.” See this How Can We Infect Humans With a Bat Coronavirus? Scientists Were Asking That Question Long Before COVID 

This is what Artificial Intelligence (AI) says about bat viruses:

A bat virus refers to any of the diverse viruses naturally hosted by bats, which serve as reservoirs for many pathogens without typically getting sick themselves. These viruses span multiple types, including RNA and DNA varieties, with some capable of zoonotic spillover to humans.

Key Examples  

A Pteropus vampyrus, or large flying fox, a natural reservoir of Nipah virus. 

– Rabies virus: Causes fatal neurological disease; transmitted via bat bites.​ 
– Coronaviruses (e.g., SARS-CoV, MERS-CoV precursors): Linked to major outbreaks; bats are natural reservoirs. 
– Nipah and Hendra viruses: Highly lethal; spread from bats to humans via contaminated food or animals. 
– Australian bat lyssavirus (ABLV): Rabies-like virus unique to Australian bats.​

This flying fox (Pteropus vampyrus) is a common reservoir for Nipah virus, highlighting bats’ role in viral ecology.​ (photo from Perplexity)

Transmission Risks

Bats rarely transmit viruses directly to humans, but contact with saliva, urine, or guano through bites, scratches, or contaminated food poses risks. Research focuses on prevention, as bats’ unique immune systems tolerate high viral loads.

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And this is what the 16-times Oscar nominated movie (record of all times) “Blood Sinners” is all about – Vampires.

The film was Oscar-nominated in almost all categories, including Best Picture, Best Director, Best Actor, Best Supporting Actor, Best Supporting Actress, Best Original Screenplay, and the first-ever Casting Award, among others.

How many of these Oscars the flick will get, we will see on 15 March 2026. The propaganda for the nominations alone, will make the masses flock to the movie theatres. Bingo. That is the purpose. The masses are reached and informed.  

Connecting the dots: Is it a predictive film? What Cults need to be successful, is telling people in advance, in whatever wicked or horrifying way, what they, the Cult masters, are up to? The connection could not be more obvious, could it?

This may just be the “Cultists” way of warning us with fear of the next deadly horror plandemic that is in the making.

It is not much different from the constant and covert Cult-driven warmongering, no end analyzing the war-industry, financial sector, City of London driven killing machines, old and new and more or less sophisticated ways of bringing death to millions of people. By endlessly doing so, attracting the Cult’s low-vibes to come haunting us – beating us into submission by fear and digital registration, or by missiles, bombs, tanks, and drones – or by all of the above.

Imagine – the bats, alias vampires, presented to you by Hollywood in a sixteen Oscar nominated Vampire flick. The masses are just gonna be waiting for the coming of the vampires, to suck them dry by injecting them with their deadly viruses. Even though, that is not what vampires do.

And to complement the Cult’s feast, there is Climate Change. In one way or another we must be intimidated, and if possible, culled, since we are much too many. This was already announced in the Club of Rome’s first Grand Report, “Limits to Growth” (1972), to be reconfirmed by “The First Global Revolution” (1991), and in subsequent doomsday reports.

Connecting the Dots of the Death Cult is a three-way long chain. Remember the old saying: “All roads lead to Rome” (referring to the Roman Empire)?

In today’s Cult-driven world a different, almost opposite proverb could be carved: “All roads emanate from the City of London” (CoL).

The CoL is behind most everything. It has created the Ponzi-scheme type FED-Reserve system, allowing the US, mostly private banks, “print” (create) literally as much money as the US oligarchs who run the Government need to oversee and control the western financial and economic systems.  

Hollywood is part of it, as its entertainment industry provides food for mind-bending and mind-blinding.

The dots connect from the City of London to the Club of Rome, to Wuhan Bats, via Fort Detrick in Maryland, one of the US’s most dangerous bio-war labs, to kill-shots, called vaccines.

Another road emanating from the City of London, is the Climate Change dot-connection. It goes from the CoL to geoengineered Climate Change, able to produce any missing link(s) – to heat or cold induced plandemics, to earthquakes, where needed, to resources wars, to be controlled and monitored by the self-nominated and UN-approved World Health Organization (WHO) to taking over not only the sovereign personal right to control one’s own life, but dictating to Governments world health standards, that may lead to plandemics, forced vaxxes and potentially death.

A third and possibly most dangerous road originating from the City of London, is the all-digitization, digitize everything, digital money, total control with biometrics, face recognition, of algorithmic monitoring of your movements, digital mind-manipulation into full submission.

This dot-connecting essay is not about creating fear. It is an attempt to explain how the Cult works. Being consciously aware is going a far way to be capable collectively, consciously, and spiritually to stop this evil system.

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Peter Koenig is a geopolitical analyst, regular author for Global Research, and a former Economist at the World Bank and the World Health Organization (WHO), where he worked for over 30 years around the world. He is the author of Implosion – An Economic Thriller about War, Environmental Destruction and Corporate Greed; and co-author of Cynthia McKinney’s book “When China Sneezes: From the Coronavirus Lockdown to the Global Politico-Economic Crisis” (Clarity Press – November 1, 2020).

Peter is a Research Associate of the Centre for Research on Globalization (CRG). He is also a non-resident Senior Fellow of the Chongyang Institute of Renmin University, Beijing.